Julien Doré: Sublime & Silence
Julien Doré, Victoires de la Musique, 2017
The song “Sublime & Silence” has appeal for a poetic ambiguity that invites varied interpretations. The song’s title in English translation is identical to the French title. The title’s two main words express the song’s essence and begin the first two verses. They not only represent antipodes of a relationship but are disparate grammatical forms. “Sublime,” is generally used as an adjective while “silence” is a noun. When used as a noun, “sublime” refers to the highest level of excellence. The two words are also of different genders, though both are expressed without identifying articles in the title. Most importantly, they convey the woeful rupture of a “sublime” love relationship followed by distracting memories that linger in the “silence” that absence creates.
The short refrain’s unique phrase “Le vide aurait suffi” (“Nothing at all would have been enough”) is repeated 12 times. It represents a rebuke to the pesky memories that intrude on the silence that accompanies absence. “Nothing at all" would be quite enough to preserve and sanctify that sublime moment in time. While “le vide” is commonly defined as “emptiness” or “void,” the phrase “nothing at all” highlights the extreme contrast between the fecund nature of a “sublime” relationship and the abject emptiness of the following “silence/vide.” The minimalist simplicity of the phrase itself contributes to its impact.
FRENCH LYRICS
Verse 1
Sublime et silence
Autour de moi tu danses
Et moi j'oublie
C'est à toi que je pense
À ta bouche brûlante
Quand tu souris
Chorus
Le vide aurait suffi
Le vide aurait suffi
Verse 2
Sublime et silence
Autour de toi tout tremble
Et tout finit
C'est à moi que tu penses
À nos ivresses blanches
Je fuis Paris
Chorus
Le vide aurait suffi
Le vide aurait suffi
Verse 3
Mais je sais que tu restes
Dans les fleurs que j'te laisse
Après la nuit
Violence et promesse
C'est tout c'que tu détestes
La mort aussi
Chorus
Le vide aurait suffi
Le vide aurait suffi
Instrumental Interlude
Verse 4
Je caresse ton absence
La montagne et l'errance
Et puis l'ennui
La rivière te ressemble
Au moins en apparence
Pourtant tu fuis
Chorus
Le vide aurait suffi
Le vide aurait suffi
Verse 5
Mais je sais que tu restes
Dans les fleurs que j'te laisse
Après la nuit
Violence et promesses
C'est tout c'que tu détestes
La mort aussi
Chorus
Le vide aurait suffi
Le vide aurait suffi
Instrumental Interlude
Je sais que tu restes
Je sais que tu restes
Instrumental Outro
TRANSLATION (PENDERGAST)
Verse 1
Sublime and silence
Around me you dance
And me, I forget
It's about you that I think
About your burning lips
When you smile.
Chorus
Nothing at all would have been enough
Nothing at all would have been enough
Verse 2
Sublime and silence
Around you all trembles
And everything ends
It's about me that you think
Of our white drunkenness
I flee Paris
Chorus
Nothing at all would have been enough
Nothing at all would have been enough
Verse 3
But I know that you remain
In the flowers I leave you
After the night
Violence and promises
It’s everything that you despise
Death too
Chorus
Nothing at all would have been enough
Nothing at all would have been enough
Instrumental Interlude
Verse 4
I stroke your absence
The mountain and the wandering
And then boredom
The river resembles you
At least in appearance
And yet you flee
Chorus
Nothing at all would have been enough
Nothing at all would have been enough
Verse 5
But I know that you remain
In the flowers that I leave you
After the night
Violence and promises
It’s everything that you despise
Death too
Chorus
Nothing at all would have been enough
Nothing at all would have been enough
Instrumental Interlude
I know that you remain
I know that you remain
Instrumental Outro
1) ivresses blanches: this expression refers to a sort of intoxication unrelated to alcohol but arising from another source such as joy, altitude, euphoria, love, success.
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